lovingsylvia:

Sylvia and Ted “interrupted in a spat,” Chalot Square, London, July 25, 1960 photographed by Hans Beacham for a portfolio of images of British writers

"They were sullen. Hughes was rude. He was going to get more attention than she, and she didn’t like that while he did. He invited me outside and told me I needed to know that he loathed photographers". Hughes particularly wanted to keep Plath out of the way. "His wish, of course, forced me to photograph them together", Beacham said; and later; Hughes acknowledged that he had been "an ogre."

—Diane Middlebrook, Her Husband: Hughes and Plath-a Marriage, 2003

(via laurasnapes)

My mantelpiece.

My mantelpiece.

“That’s what I’d like to do, I think. Have a long, cool, clean nail, right in the middle of my head. That would calm me. And no one would blame me - a girl with a nail in the centre of her skull. They would put me in a hospital - and, because I would be broken, and ill, I would be safe. If I broke all my bones, no one would hate me. If I was in trouble. If I was at the bottom of the stairs. If I was smashed up. If I died.
If you can’t save yourself from attack by being powerful - and I, palpably, have no power. My hands are empty - then perhaps you can save yourself from attack by being ruined, instead. Blow yourself up before the enemy gets to you.”

Caitlin Moran, How to Build a Girl (via hjwhutnow)

(via fuckyeahcaitlinmoran)

thescienceofexcellence:

Dear Henry,
{…}
“You destroy and you suffer… I often see how you sob over what you destroy, how you want to stop and just worship; and you do stop, and then a moment later you are at it again with a knife, like a surgeon.
In some strange way I am not with you, I am against you. We are destined to hold two truths. I love you and I fight you.
And you, the same. We will be stronger for it, each of us, stronger with our love and our hate.
When you caricature and nail down and tear apart, I hate you. I want to answer you, not with weak or stupid poetry but with a wonder as strong as your reality. I want to fight your surgical knife with all the occult and magical forces of the world.  I want to both combat you and submit to you, because as a woman I adore your courage, I adore the pain it engenders, I adore the struggle you carry in yourself, which I alone fully realize, I adore your terrifying sincerity. I adore your strength.
You are right. The world is to be caricatured, but I know, too, how much you can love what you caricature. How much passion there is in you! It is that I feel in you. I do not feel the savant, the revealer, the observer. When I am with you, it is the blood I sense.
This time you are not going to awake from the ecstasies of our encounters to reveal only the ridiculous moments.
No. You won’t do it this time, because while we live together, while you examine my indelible rouge effacing the design of my mouth, spreading like a blood after an operation (you kissed my mouth and it was gone, the design of it was lost as in a watercolor, the colors ran).
While you do that, I seize upon the wonder that is brushing by (the wonder, oh, the wonder of my lying under you), and I bring it to you, I breathe it around you.

thescienceofexcellence:

Dear Henry,
{…}
“You destroy and you suffer… I often see how you sob over what you destroy, how you want to stop and just worship; and you do stop, and then a moment later you are at it again with a knife, like a surgeon.
In some strange way I am not with you, I am against you. We are destined to hold two truths. I love you and I fight you.
And you, the same. We will be stronger for it, each of us, stronger with our love and our hate.
When you caricature and nail down and tear apart, I hate you. I want to answer you, not with weak or stupid poetry but with a wonder as strong as your reality. I want to fight your surgical knife with all the occult and magical forces of the world. I want to both combat you and submit to you, because as a woman I adore your courage, I adore the pain it engenders, I adore the struggle you carry in yourself, which I alone fully realize, I adore your terrifying sincerity. I adore your strength.
You are right. The world is to be caricatured, but I know, too, how much you can love what you caricature. How much passion there is in you! It is that I feel in you. I do not feel the savant, the revealer, the observer. When I am with you, it is the blood I sense.
This time you are not going to awake from the ecstasies of our encounters to reveal only the ridiculous moments.
No. You won’t do it this time, because while we live together, while you examine my indelible rouge effacing the design of my mouth, spreading like a blood after an operation (you kissed my mouth and it was gone, the design of it was lost as in a watercolor, the colors ran).
While you do that, I seize upon the wonder that is brushing by (the wonder, oh, the wonder of my lying under you), and I bring it to you, I breathe it around you.

(via sculpturedchaos)

And in the blue corner..

And in the blue corner..

iamtheanchoress:

In great company here with Perrier’s pick of the five hottest acts. Thanks guys! http://sperrier.com/1o5F1Y0

iamtheanchoress:

In great company here with Perrier’s pick of the five hottest acts. Thanks guys! http://sperrier.com/1o5F1Y0

iamtheanchoress:

Double playlist action for the single!

iamtheanchoress:

Double playlist action for the single!

iamtheanchoress:

The Anchoress is Artist of the Week on BBC Radio Wales. Listen back to Catherine’s interview with Eleri Sion.

iamtheanchoress:

It’s finally here! After the year from hell and the week from Hades, it’s release day. I’m certainly due some good karma… ‘What Goes Around’ is out today. Get it from iTunes here - http://georiot.co/47Ov

iamtheanchoress:

It’s finally here! After the year from hell and the week from Hades, it’s release day. I’m certainly due some good karma… ‘What Goes Around’ is out today. Get it from iTunes here - http://georiot.co/47Ov